Mother Daughter Relationships - The Mother-daughter Relationship in Amy

Daughters and Mothers in The Joy Luck Club   Children, as they go outdoor(a) adults, cause more appreciative of their parents. In The Joy Luck Club, the attitudes of four daughters toward their flummoxs change as the girls mature and come to realize that their experiences arent so different after all.   As children, the daughters in this book are a abashd of their mothers and dont take them very seriously, dismissing them as quirky and odd. I could neer tell my father . . . How could I tell him my mother was crazy? (p. 117). They dont try to comprehend their culture, which is a big part of understanding their traditional Chinese mothers. On page 6, one of the daughters states, I can neer remember things I dont understand in the first place, referring to Chinese expressions her mother used. When their mothers show pride in them, the girls only show their embarrassment. One daughter shows her ignominy when she says to her mother, I wish you wouldnt do that, telling ever yone Im your daughter (p. 101). The girls cannot relate to their mothers because they were raised in a different world. No matter how much the mothers care for them or how much they sacrifice to make their girls lives better, the daughters are blind to their mothers pain and feelings.   All four of the Joy Luck mothers need their daughters to understand them, pass on their temperament after they are gone, and understand what they have gone through for their girls. One mother dreams of doing this on her trip to a new life In the States I go out have a daughter just like me . . . over there nobody leave alone look down on her . . . and she will always be too full to swallow any sorrow She will know my meaning because I will give her this swan . . . it c... ...n outdoor(a) a long time ago to what I had imagined was a safer place. And hiding in this place, behind my invisible barriers, I knew what lay on the other cheek her spatial relation attacks. Her secret weapons. Her un canny ability to find my weakest spots. But in the brief instant that I had peered over the barriers I could in the long run see what was very there an old woman, a wok for her armor, a knitting needle for her sword, getting a little crabby as she waited patiently for her daughter to invite her in. (pp. 203-204)   In conclusion, as children, the daughters didnt understand their mothers or their culture. The daughters were being raised in a different world. Their perceptions of their mothers changed, though, as they grew up and realized that they werent so different from them after all. They in the long run understood and respected their traditional Chinese mothers.   Mother Daughter Relationships - The Mother-daughter Relationship in Amy Daughters and Mothers in The Joy Luck Club   Children, as they become adults, become more appreciative of their parents. In The Joy Luck Club, the attitudes of four daughters toward their mothers change as the girls mat ure and come to realize that their mothers arent so different after all.   As children, the daughters in this book are ashamed of their mothers and dont take them very seriously, dismissing them as quirky and odd. I could never tell my father . . . How could I tell him my mother was crazy? (p. 117). They dont try to comprehend their culture, which is a big part of understanding their traditional Chinese mothers. On page 6, one of the daughters states, I can never remember things I dont understand in the first place, referring to Chinese expressions her mother used. When their mothers show pride in them, the girls only show their embarrassment. One daughter shows her shame when she says to her mother, I wish you wouldnt do that, telling everyone Im your daughter (p. 101). The girls cannot relate to their mothers because they were raised in a different world. No matter how much the mothers care for them or how much they sacrifice to make their girls lives better, the daughters are blind to their mothers pain and feelings.   All four of the Joy Luck mothers need their daughters to understand them, pass on their nip after they are gone, and understand what they have gone through for their girls. One mother dreams of doing this on her trip to a new life In the States I will have a daughter just like me . . . over there nobody will look down on her . . . and she will always be too full to swallow any sorrow She will know my meaning because I will give her this swan . . . it c... ...n away a long time ago to what I had imagined was a safer place. And hiding in this place, behind my invisible barriers, I knew what lay on the other side her side attacks. Her secret weapons. Her uncanny ability to find my weakest spots. But in the brief instant that I had peered over the barriers I could finally see what was rattling there an old woman, a wok for her armor, a knitting needle for her sword, getting a little crabby as she waited patiently for her daughter to in vite her in. (pp. 203-204)   In conclusion, as children, the daughters didnt understand their mothers or their culture. The daughters were being raised in a different world. Their perceptions of their mothers changed, though, as they grew up and realized that they werent so different from them after all. They finally understood and respected their traditional Chinese mothers.  

The Two-Fold Thought of Deleuze and Guattari: Intersections and Animati

The Two-Fold Thought of Deleuze and Guattari Intersections and Animations Charles J. Stivale, a scholar in French literary and cultural studies, tries to articulate Deleuze and Guattaris philosophical concepts with practical studies on culture, analyzing films, cyberspace, and Cajun dance. Although he says that the goal of the book is to provide an initial orientation to Deleuze and Guattaris collaborative works, it is not a simple line of business at all for those innocent of Deleuzean concepts to follow the flow of his thought (ix). He provides short explications of the concepts and quotations from Deleuze and Guattaris books before his application, however only the readers, who are familiar with Delezean concepts, seem to be able to articulate the whole idea. As the title implies, Stivale considers Deleuze and Guattaris works as expressing thought that arises from two individual, fluctuating subjectivities(xi). He attempts to grasp and animate this two-foldedness, both sorti ng kayoed two different voices of Deleuze and Guattari and presenting the intersection among them. This two-fold thought, as Stivale stresses, should be understood not only as an overlap of two particular sensibilities and modes of knowing but also as one of action and opening outward, of formulations, unheard-of juxtapositions of concepts, monstrous couplings, that is, rhizomatics of n-1 dimensions (24). In his introductory chapter, he differentiates Deleuze as a philosopher from Guattari as a psychotherapist and political activist first, he explicates Deleuzes passion of the concept, examining Deleuzes relation with Nietzsche and Foucault and several concepts including body without organ, image of thought, and rhizome second, h... ...o his attempt to bridge over the conceptual gap between the local and the global within cultural studies with Deleuze-Guattarian concepts. His point-of-view of cultural studies, especially, is valuable in terms that he recognizes the danger within its becoming-discipline These geopolitical negotiations of forms and feelings in Cajun dance are precisely the good focus of a cultural studies understood not in a limited, territorialized sense of dueling disciplines between adjoining theoretical and conceptual articulations and strategies (186-7). If one can keep his/her induce distance in reading this book, it will serve as a great source book for further research on cultural studies. snuff it CitedThe Two-Fold Thought of Deleuze and Guattari Intersections and Animations. By Charles J. Stivale. New York The Guildford Press, 1998. Pp. xxii, 361.

To What Extent Curleys Wife a Victim in Of Mice and Men Essay

In Of Mice & Men, the character Curleys married woman is depicted as flirtatious, promiscuous, and insensitive. However, her husband Curley canvass her as only a possession. Most of the workers at the ranch see her as a tart, whereas Slim, the peaceful and god-like figure out of all(a) the men, see her as lonely. This answer will tell us to which extent, is Curleys wife a victim, whether towards her flirtatious behaviour, or to everyones representation of her. The character of Curleys Wife is very hard to unravel, as throughout the book, Steinbecks representation of women through characters such as George and Candy, is very harsh. This is because the sociological opinion at that time was that they were either, mothers, sisters, or prostitutes, as the audience soon see, George and other ranch workers refer to her as bitch loo loo and tramp. There were also a ontogeny number of prostitutes during the Great Depression period, as they would offload their services to those whom were abl e to pay and have some decent income during the Depression. Other aspects that may make Curleys Wife seem like a tart, is Curleys Glove Fulla Vaseline. Curley literally keeps a glove full of Vaseline, in order to keep his hand soft, possibly for a sexual act. Curley boasts to Candy that the hand is for his wife, which tells us that she gives him consent to do these acts to her, and also, Curleys nerve to inform fellow workers about his glove shows that he believes that his receive wife is a tart, which is very controversial today, but back then, women were seen as nothing more than possessions, yours to do what you will. George informs Lennie to avoid Curleys Wife at all costs, and not to talk to her, because of her promiscuous behaviour, he believes t... ...ars for the fidelity of his wife as he believes there is a chance that Slim could be with her, despite his correct nature. This makes the audience believe that Curley knows his wife is capable of anything, and that he would rather have her under his control. However, the poignant side to Curleys Wifes victimisation is when she is ill-used due to the stereotypical image of women, either mother or prostitute. This adds a dark shadow over her complicated character, because the way she dresses, and the shoes she wears, especially at the ranch of all places, is unnatural. Also, her manipulative ways ironically cost her life, as she was probably toying with Lennie being mentally handicapped. Overall, I believe that the way that Curleys Wife has cast her impression upon everyone, has eventually made her a victim of society, the ranch workers, and most importantly, herself.